The Thin Line Between Portraiture and Caricature
So you’ve just finished that portrait and something doesn’t seem quite right, or worse still it was a commission and
Read moreSo you’ve just finished that portrait and something doesn’t seem quite right, or worse still it was a commission and
Read moreBy Marion Boddy-Evans If a brush seems totally ruined and the hairs out of shape, wash the brush again, then dip
Read moreBy Marion Boddy-Evans Proportional wheels are used for calculating copy reductions and enlargements. 1. You set the longest dimension of the
Read moreBy Marion Boddy-Evans When I mix a special color and want to save it to use tomorrow or on another painting,
Read moreBy Marion Boddy-Evans I have a small utility cart on wheels with three shelves (measuring 15×9″). I have tightly fitted the
Read moreBy Marion Boddy-Evans When working wet-on-wet pull the brush along its length with the handle close to the surface. You get two strokes
Read moreBy Marion Boddy-Evans For painting grass, I have five different sizes/hair variations of fan brush. I add just a bit of paint
Read moreAbstract Painting Tip 1: I like to use the world around me to compose good abstracts. It is often hard for
Read moreFrom Susan Tschantz To paint a yellowish sky at the horizon with a bluer sky above without getting a green color
Read moreFrom Carson C.T.Collins If you’re interested in exhibiting your artwork in commercial galleries, here’s some stuff I have learned over
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